Further, EQ Match for imposing the tonal characteristics of one signal on another.

Spectrum Grab: grab and adjust a peak directly in the spectrum analyzer.

Professional mastering-grade EQ plugin with exceptional sound quality.

Optional piano roll display to quantize EQ frequencies to musical notes.

Adapts automatically to stereo, mono, and surround channel layouts.

Separate mastering (3/6dB) and mixing (12/30dB) display ranges.

Piano Display switches the frequency scale to musical note values.

Zero Latency, Natural Phase, and Linear Phase processing modes.

Additional Brickwall slope for the High Cut and Low Cut filters.

MIDI Learn with an option to control the currently active band.

Retina support on macOS and High DPI support on Windows.

Supports common Pro Tools hardware control surfaces.

matching, with optional external side-chain triggering.

Extremely efficient processing and low memory usage.

Large output level meter with peak level readout.

Up to 24 bands with a huge range of filter types.

Per-band Stereo, Left, Right, Mid, or Side mode.

Intelligent multiband selection and editing.

6-96dB/octave slopes for all filter types.

Phase Invert option to change polarity.

Each person’s band can now be set to process only the Mid, Side, Left, Right, or Stereo channels so that you can get simply surgical with your stereo frequency-shaping on a band-by-band basis Key Features: Pro-Q has long been capable of paintings its equalization magic at the mid or side channels in a stereo signal, in addition to left and right, and with Pro-Q 3, this functionality turns even extra flexible. In addition to the existing Bell, Low/High Shelf, Low/High Cut, and Notch filters, Pro-Q 2 also features new Band-Pass and Tilt Shelf filter types. This makes it possible to create super-narrow bell filters, very steep or gently sloping shelves, and more. Very steep filter slopes of up to 96 dB/octave are now available, and uniquely, lets users change the slope of any filter type, not just the usual Low/High Cut filters.

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